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Titlebook: Darius Milhaud; Paul Collaer,Jane Hohfeld Galante Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 Darius Mil

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發(fā)表于 2025-3-23 10:57:16 | 只看該作者
https://doi.org/10.1007/978-1-349-10651-6Darius Milhaud; music
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發(fā)表于 2025-3-23 17:42:59 | 只看該作者
Palgrave Macmillan, a division of Macmillan Publishers Limited 1988
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發(fā)表于 2025-3-24 01:00:01 | 只看該作者
Jutta Rump,Silke Eilers,Katharina SchererApart from some early childhood efforts, including the opera . is really Milhaud’s first dramatic work. It was begun in 1910 and finished in 1915. During that period he also produced some important chamber music, several song cycles, and the first version of his incidental music for ..
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發(fā)表于 2025-3-24 02:34:27 | 只看該作者
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發(fā)表于 2025-3-24 21:48:53 | 只看該作者
Günter Hirsch,Wolfgang Eberbachil he had completely assimilated the mood and grasped the significance of all the forces that had concurred in the creation of the many paintings and sculptures contained within. Only thus prepared did he approach Giotto, Uccello, and Angelico, ready to receive their message in all its sensuous opulence.
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發(fā)表于 2025-3-25 00:41:37 | 只看該作者
https://doi.org/10.1007/978-3-658-21986-4otal output. But music for piano with orchestra never lost its popularity. Hindemith, Prokofiev, and Bartók wrote three concertos each; Stravinsky composed one and the .; Poulenc produced two; and Schoenberg one. Milhaud wrote five concertos, several compositions of various types for piano with orchestra, and two concertos for two pianos.
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