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Titlebook: Danj?r?’s Girls; Women on the Kabuki Loren Edelson Book 2009 Loren Edelson 2009 bibliography.history.history of literature.play.stage.styl

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樓主: dabble
11#
發(fā)表于 2025-3-23 11:55:26 | 只看該作者
The Critics Respond,of the .’. ideals. .he actresses, a . writer pronounced, were “old-fashioned” in the best sense, due to their kabuki training on and off the stage.. .hey were innocent, cute, and virginal; in short, the ultimate role models for how to be good girls.
12#
發(fā)表于 2025-3-23 16:42:42 | 只看該作者
13#
發(fā)表于 2025-3-23 18:29:28 | 只看該作者
Epilogue: Kabuki as Invented Tradition,se seating, lighting, and theatre technology are considerably different, and, on a more dramaturgically experimental level, some actors have reinvigorated old forms with new tools. .espite the common perception that kabuki is timeless, it is not entirely frozen in the distant past. New traditions are being invented..
14#
發(fā)表于 2025-3-23 23:50:09 | 只看該作者
15#
發(fā)表于 2025-3-24 03:11:31 | 只看該作者
https://doi.org/10.1007/978-3-030-20839-4er. If the actresses recognized the precariousness of their situation, they did a good job of hiding it from the press; in interviews, they greeted their change in status with excitement and optimism.
16#
發(fā)表于 2025-3-24 07:42:12 | 只看該作者
The Final Years,er. If the actresses recognized the precariousness of their situation, they did a good job of hiding it from the press; in interviews, they greeted their change in status with excitement and optimism.
17#
發(fā)表于 2025-3-24 11:05:32 | 只看該作者
18#
發(fā)表于 2025-3-24 15:45:37 | 只看該作者
https://doi.org/10.1007/978-1-349-12579-1aritaya house. In the beginning, however, the troupe was nameless. It was just an after-school girls’ club. There was no indication that it would become a professional company, let alone a famous one that would play to packed houses in Japan’s premiere theatres.
19#
發(fā)表于 2025-3-24 21:11:12 | 只看該作者
20#
發(fā)表于 2025-3-25 00:22:43 | 只看該作者
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