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Titlebook: Danish Mothers On-Screen; Djuna Hallsworth Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

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樓主: Retina
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發(fā)表于 2025-3-23 10:11:41 | 只看該作者
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發(fā)表于 2025-3-23 23:00:16 | 只看該作者
Progamic Phase and Fertilizationises familial and legal entitlement. The pervasive topics of citizenship, belonging and transgression again frame the way that the female characters interact with their surroundings. What it means to be a “good parent” remains at the heart of these stories, yet it is ultimately the mother’s role that is problematised.
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發(fā)表于 2025-3-24 04:50:46 | 只看該作者
https://doi.org/10.1007/978-3-642-58122-9e positioned in relation to sexuality, professional work and familial bonds, the author concludes that, for the future of Danish women on-screen to present the multiplicities of feminine experiences, practitioners must resist the urge to conflate femininity with motherhood and motherhood with devotion, sacrifice and moral goodness.
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發(fā)表于 2025-3-24 09:30:16 | 只看該作者
Book 2021industry professionals, tracing the pivotal moments in media and welfare state history to unite these two overlapping spheres: welfare state social policy and media imagery. In doing so, it addresses a gap in existing academic and policy documents to demonstrate how motherhood and femininity are pre
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發(fā)表于 2025-3-24 11:07:48 | 只看該作者
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發(fā)表于 2025-3-24 15:36:59 | 只看該作者
Gender and Motherhood in Danish Social Policy,y tracing the social and political conditions and policies that have shaped the current landscape for women, and particularly mothers, in Denmark, the author illustrates how the division of labour and a gendering of citizenship have developed. Concomitant to this is the evolution of the prolific Dan
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發(fā)表于 2025-3-24 20:19:02 | 只看該作者
Policy in Practice: Film, Television and Cultural Policy,rather than just entertain audiences is a result of a small-nation, democratic political context. Despite an industrial culture of innovation and artistry, remarkably similar themes occur across genres and forms of screen fiction. I contend that the on-screen representation of women who struggle to
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發(fā)表于 2025-3-24 23:29:43 | 只看該作者
Motherhood, Sexuality and Shame in Danish Cinema,me 95 and modern-day Scandinavian blue. For the women in both case studies, their experience of illness, whether self-diagnosed or otherwise, manifests not only as sexual deviance but also as sexual dysfunction, suggesting the incompatibility of sexual desire with maternalism. The study of . demonst
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