Titlebook: Dancing an Embodied Sinthome; Beyond Phallic Jouis Megan Sherritt Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv

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In this chapter, I offer a more in-depth just’s a quality to Lacan’s own use of language that suggests Lacan’s relationship with language isn’t straightforward and, obviously, neither is Joyce’s; rather, both use language in ways that rely less on the meaning of words and more on the felt sense of them, or what would equate to the effects of t

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The Being of a Sinthome,ential space, and play—drawing on other psychoanalysts/psychoanalytic theorists to show how they fit within Lacan’s theory. I first explain these processes in depth, both how they appear in psychoanalytic theory and how these processes operate in dance to help someone cope with the real as it intrud

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,Reinterpreting Joyce’s Sinthome,ip to the elements of the real as they are experienced in the body. Although Joyce’s process involved writing, the process does not have to reside within the language we think of as defining the symbolic. In my view, the sinthome is a creative process, one that combines of the use of play and that c

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Playing and Dancing with ,rt for the development of a sinthome, or the support for helping someone to accept (and embrace) the feelings of intrusion and merger that presage psychosis. I posit that dance can permit the development of the feminine . as an alternative to the phallic . when the phallic . is impossible (because o

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Reverberations of the Embodied Sinthome,f this in terms of psychoanalytic theory, psychoanalytic practice, and dance. I show how my arguments offer a new understanding of Lacanian theory and practical insights into how one prevents (or treats) pre-psychosis in general by exploring the use of play, affect, and the body within a traditional

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Beyond Psychosis,ow that my arguments are not just relevant for those at risk of psychosis. The elements I’ve discussed that exist in dance and Joyce’s writing (and, of course, in psychoanalysis) can create possibilities for everyone. This is decidedly important because dance as sinthome is only useful for those who

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Weaving an Impossible,losed on the law may be driven to find a new way to live (i.e., the sinthome). Although his seminar helps us better understand psychosis and the experience of those who live at risk of psychosis, its primary?usefulness arises in how it gets us to think in new ways.

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