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Titlebook: Class and the Uses of Poetry; Symbolic Enclosures Andrew Smith Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

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發(fā)表于 2025-3-25 04:52:12 | 只看該作者
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發(fā)表于 2025-3-25 10:27:32 | 只看該作者
Andrew SmithProvides empirical evidence about the ways in which social inequalities shape and delimit forms of cultural reception.Responds to emerging debates within the sociology of culture, re-focusing on speci
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發(fā)表于 2025-3-25 15:13:04 | 只看該作者
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發(fā)表于 2025-3-25 16:33:16 | 只看該作者
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發(fā)表于 2025-3-26 00:35:39 | 只看該作者
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發(fā)表于 2025-3-26 06:43:51 | 只看該作者
https://doi.org/10.1007/978-3-476-05832-4sthetic or formal qualities. This chapter, therefore, seeks to take these aspects of what Bourdieu called the ‘popular aesthetic’ seriously, and to show how those ways of engaging poetry not only empowered readers to make sense of the poems before them, but also cast those texts into a different lig
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發(fā)表于 2025-3-26 12:07:02 | 只看該作者
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發(fā)表于 2025-3-26 14:11:33 | 只看該作者
2569-1414 about poetry as a distinctive esthetic practice. .Poetry, Class and Symbolic Violence.?tries to break that silence and to make a start on constructing a critical sociology of poetry for today..978-3-031-66450-2978-3-031-66448-9Series ISSN 2569-1414 Series E-ISSN 2569-1406
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發(fā)表于 2025-3-26 18:29:44 | 只看該作者
A Late Return to Form: Reflections on Sociology and Poetry,exclusive conception of poetry and its audiences. At the same time, I argue, it is a reluctance which is also rooted in sociology’s overly narrow?conception of ‘content’ when it comes to cultural and aesthetic practices. Against that view, I try to trace out the lines for a historical materialist ac
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