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Titlebook: Culture Wars and Horror Movies; Social Fears and Ide Noelia Gregorio-Fernández,Carmen M. Méndez-García Book 2024 The Editor(s) (if applicab

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書(shū)目名稱Culture Wars and Horror Movies
副標(biāo)題Social Fears and Ide
編輯Noelia Gregorio-Fernández,Carmen M. Méndez-García
視頻videohttp://file.papertrans.cn/241/240961/240961.mp4
概述Explores the polarized ideological landscape in contemporary horror movies..Focuses on topics as diverse as neoliberalism, social justice, socioeconomic dispossession.Highlights the vibrancy and compl
圖書(shū)封面Titlebook: Culture Wars and Horror Movies; Social Fears and Ide Noelia Gregorio-Fernández,Carmen M. Méndez-García Book 2024 The Editor(s) (if applicab
描述.In this volume, contributors explore the deep ideological polarization in US society as portrayed in horror narratives and tropes. By navigating this polarized society in their representation of social values, twenty[1]first-century horror films critically frame and engage conflicting and divisive ideological issues.?.Culture Wars and Horror Movies: Social Fears and Ideology in Post-2010 Horror Cinema?.analyses the ways in which these “culture wars” make their way into and through contemporary horror films, focusing on the post-2010 US context and its fundamental political divisions..
出版日期Book 2024
關(guān)鍵詞popular culture; culture wars; American ideology; critical race theory; cultural studies; horror; film stu
版次1
doihttps://doi.org/10.1007/978-3-031-53836-0
isbn_softcover978-3-031-53838-4
isbn_ebook978-3-031-53836-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Noelia Gregorio-Fernández,Carmen M. Méndez-GarcíaExplores the polarized ideological landscape in contemporary horror movies..Focuses on topics as diverse as neoliberalism, social justice, socioeconomic dispossession.Highlights the vibrancy and compl
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Harvest and Pre-Fermentation Processingstarting point for Peele’s exploration of race in the United States was the way the racialized structures of social environments produced and organized unequal race relations. This structural perspective on race allows . to raise political questions that deeply resonated with the dominant concerns o
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Kenneth C. Fugelsang,Charles G. EdwardsAri Aster 2019) include monsters who are terrifying . they are white. The emergence of the white monster in twenty-first-century horror raises several questions about racial representation within these narratives, viewer identification and reflexivity, and gaze theory. How is the white horror fan ha
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