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Titlebook: Cultural Representations of Gender Vulnerability and Resistance; A Mediterranean Appr Maria Isabel Romero-Ruiz,Pilar Cuder-Domínguez Book‘‘

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樓主: eternal
11#
發(fā)表于 2025-3-23 11:44:24 | 只看該作者
Trans-National Neo-Victorianism, Gender and Vulnerability in Kate Grenville’s , (2005) population. Following Judith Butler’s theories, my discussion is organised around two main topics: Australian history and narratives of recollection, and gender identity and vulnerability both in white settlers and indigenous communities. My contention is that both sides became involved in a relationship of mutual vulnerability.
12#
發(fā)表于 2025-3-23 15:37:07 | 只看該作者
13#
發(fā)表于 2025-3-23 22:05:20 | 只看該作者
Book‘‘‘‘‘‘‘‘ 2022on of our contemporary visual and literary cultures in English. Contributors address concepts such as vulnerability, resilience, precarity and resistance in the Anglophone world through an analysis of memoirs, films, TV series, and crime and literary fiction across India, Ireland, Canada, Australia,
14#
發(fā)表于 2025-3-24 01:02:47 | 只看該作者
15#
發(fā)表于 2025-3-24 04:34:08 | 只看該作者
16#
發(fā)表于 2025-3-24 09:47:07 | 只看該作者
17#
發(fā)表于 2025-3-24 13:11:58 | 只看該作者
,Housing Treachery: Angela Carter’s , and ,of female genocide in India, in the dimensions of techno culture. By looking at sexual violence through the lenses of aligned resilience in solidarity as an analytical tool, through which the victims achieve empowerment, we argue that the presence of trans protagonists in the novels brings originality to the dystopian trope.
18#
發(fā)表于 2025-3-24 16:11:44 | 只看該作者
19#
發(fā)表于 2025-3-24 19:45:08 | 只看該作者
20#
發(fā)表于 2025-3-25 00:04:01 | 只看該作者
Resisting Binaries: Vulnerability, Agency and the Sovereign Subject Through a Feminist Critical Gaze how Arnold inverts the roles traditionally assigned in film: in this case, it is the male character the one under the female gaze, a strategy used by Arnold to question the myth of the sovereign subject. My focus will be on how Arnold presents her characters as vulnerable but always with full agency, and never as victims.
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