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Titlebook: Cultural Memory, Memorials, and Reparative Writing; Erica L. Johnson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 affect

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發(fā)表于 2025-3-21 17:09:31 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Cultural Memory, Memorials, and Reparative Writing
編輯Erica L. Johnson
視頻videohttp://file.papertrans.cn/241/240852/240852.mp4
概述Explores the topic of affective memory as it relates to slavery and racism in the Americas.Contributes to scholarship in trauma studies and cultural memory studies.Makes connections to current debates
叢書(shū)名稱(chēng)Palgrave Studies in Affect Theory and Literary Criticism
圖書(shū)封面Titlebook: Cultural Memory, Memorials, and Reparative Writing; Erica L. Johnson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 affect
描述.Cultural Memory, Memorials, and Reparative Writing .examines the ways in which memory furnishes important source material in the three distinct areas of critical theory, memoir, and memorial art. The book first shows how affect theorists have increasingly complemented more traditional archival research through the use of “academic memoir.”? This theoretical piece is then applied to memoir works by Caribbean writers Dionne Brand and Patrick Chamoiseau, and the final case study in the book interprets as memorial art Kara Walker’s ephemeral 80,000 pound sugar sculpture of 2014. Memory as method; memory as archive; memorial as affect: this book looks at the interplay between archival sources on the one hand, and the affective memories, both personal and collective, that flow from, around, and into the constantly shifting record of the past.? .
出版日期Book 2018
關(guān)鍵詞affect theory; memory studies; memorial art; affective memory; memoirs; life writing; personal memory; trau
版次1
doihttps://doi.org/10.1007/978-3-030-02098-9
isbn_ebook978-3-030-02098-9Series ISSN 2634-6311 Series E-ISSN 2634-632X
issn_series 2634-6311
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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發(fā)表于 2025-3-21 21:50:55 | 只看該作者
In Theory: Memory as an Affective Archive, traces this epistemology back to its intellectual foremothers in addition to linking it to Eve Sedgwick’s notion of “reparative reading.” The three case studies that exemplify what I call “reparative writing” include Jean Halley’s ., Anne Cvetkovich’s ., and Elspeth Probyn’s .. Each author draws on
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發(fā)表于 2025-3-22 06:00:17 | 只看該作者
Cultural Memory, Affect, and Countermonuments,s of the memorialization of slavery in the United States versus the Caribbean, and a historical look at monuments and race in the United States, the chapter concludes with a close reading of Kara Walker’s 2014 monumental sugar sculpture, “.” A site-specific, temporary installation that no longer exi
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Cultural Memory, Memorials, and Reparative Writing978-3-030-02098-9Series ISSN 2634-6311 Series E-ISSN 2634-632X
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發(fā)表于 2025-3-23 01:44:25 | 只看該作者
Menna Elfyn , (1982) and , (1996)knowledge. These three areas include: critical theory, memoir, and memorials. The introduction begins with the topic of public memorials having to do with the racial history of the United States, and acknowledges the urgency of this topic in the wake of the Confederate monument removals and clashes
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發(fā)表于 2025-3-23 08:00:22 | 只看該作者
Dominical Diversions: Laforgue on Sundays, traces this epistemology back to its intellectual foremothers in addition to linking it to Eve Sedgwick’s notion of “reparative reading.” The three case studies that exemplify what I call “reparative writing” include Jean Halley’s ., Anne Cvetkovich’s ., and Elspeth Probyn’s .. Each author draws on
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