Titlebook: Cultural Heritage in a Changing World; Karol Jan Borowiecki,Neil Forbes,Antonella Fresa Book‘‘‘‘‘‘‘‘ 2016 The Editor(s) (if applicable) an

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Copyright, Cultural Heritage and Photography: A Gordian Knot?ives and photograph agencies, and to make the digitised images available via the European portal, Europeana. The collections spanned 100 years of photography from 1839 to 1939 and many of the photographs depicted individuals and family life during these 100 years. In this contribution we explore the

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The Museum of Gamers: Unmediated Cultural Heritage Through Gaminga new concept for galleries, libraries, archives and museums (GLAMs). Pointing to a new future for libraries, Negroponte was already aware that being digital had its own reality, which was to create ambiguity in relation to the value of physicality or pure materiality, a reality that the world had b

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Change of Museums by Change of Perspective: Reflecting Experiences of Museum Development in the Conts to this process and to become places where all members of society feel represented and are stakeholders in their cultural heritage. But what about local and regional museums which are preserving cultural heritage? Are these museums ready for this type of Europe? For a society that is getting more

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The Place of Urban Cultural Heritage Festivals: The Case of London’s Notting Hill Carnival Moreover, the increasing role of culture in city making has rendered them spaces of consumption, entertainment, pleasure, and festivity. Large European events such as London’s Notting Hill Carnival, Berlin’s Carnival of Cultures, and the Rotterdam Summer Carnival attract huge global audiences. Desp

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Tools You Can Trust? Co-design in Community Heritage Workds. It will draw on the experiences of conducting the project and broader critical frames to examine the nature of collaborative working in the field of cultural heritage and storytelling. It will outline the lessons we have learned from the process and the ways in which the relationships between ci