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Titlebook: Cultural Economy and Television in Jamaica and Ghana; #decolonization2poin Deborah Hickling Gordon Book 2020 The Editor(s) (if applicable)

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書(shū)目名稱(chēng)Cultural Economy and Television in Jamaica and Ghana
副標(biāo)題#decolonization2poin
編輯Deborah Hickling Gordon
視頻videohttp://file.papertrans.cn/241/240787/240787.mp4
概述Explains and analyses the transformation of television in Jamaica and Ghana.Represents the first critical examination and comparison of cultural and creative industries and economy concepts in the Car
圖書(shū)封面Titlebook: Cultural Economy and Television in Jamaica and Ghana; #decolonization2poin Deborah Hickling Gordon Book 2020 The Editor(s) (if applicable)
描述This book proposes contemporary decolonization as an approach to developing cultural economies in the Global South.? It presents the account of the transformation of television in Jamaica and Ghana to audiovisual subsectors; from cultural institutions to cultural industries and then subsectors of emerging cultural economies as representative case studies. ‘Glocal’ changes are presented within five organizing phenomena: philosophical, ideological, and economic change, and their impact on governance and the operational transformation of the television sectors of Jamaica and Ghana. This book represents the first critical examination and comparison of cultural and creative industries (CCI) and economy concepts in the Caribbean and Africa. It is an original contribution to the development of strategies that influence processes, structures, and policies related to the cultural economy concept and those required to improve television industries. This process of describing culturally specific characteristics of CCI is designed to be applicable to the CCI of developing countries including those in Africa and the Caribbean, where interpretations and implementation suited for advanced industr
出版日期Book 2020
關(guān)鍵詞Creative Industries; Rastafarian Philosophy; Creative Economy; Broadcast Histories; Global South; Televis
版次1
doihttps://doi.org/10.1007/978-3-030-38065-6
isbn_softcover978-3-030-38067-0
isbn_ebook978-3-030-38065-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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https://doi.org/10.1007/978-3-030-76794-5o address endemic challenges. Seven characteristic changes have been identified across cultural and creative sectors as units of analysis to describe the specific transformational factors from television institution to audiovisual subsector of the cultural economy in Jamaica and Ghana between 1997 a
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Jean-Pierre Danthine,John B. Donaldsonork—the creation of content for consumption. Like for Jamaica, understanding these changes in the AV subsector provided insight into the unique characteristics of the subsector itself; thematic clues that assist in addressing endemic challenges. Three of the seven characteristic changes used to desc
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specific characteristics of CCI is designed to be applicable to the CCI of developing countries including those in Africa and the Caribbean, where interpretations and implementation suited for advanced industr978-3-030-38067-0978-3-030-38065-6
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From TV to AV in Jamaica: Creative Work, Content and Consumption,o address endemic challenges. Seven characteristic changes have been identified across cultural and creative sectors as units of analysis to describe the specific transformational factors from television institution to audiovisual subsector of the cultural economy in Jamaica and Ghana between 1997 a
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