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Titlebook: Cultural Change in Post-Migrant Societies; Re-Imagining Communi Wiebke Sievers Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Auth

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樓主: 斷頭臺
21#
發(fā)表于 2025-3-25 03:41:44 | 只看該作者
22#
發(fā)表于 2025-3-25 10:00:54 | 只看該作者
was given by an activist with a migration background. The chapter focuses on the meaning of the strategic intervention of the activist and on how he was able to mobilise the museum to take action in such a way as to publicly contest a deeply ingrained representation of Dutch history and culture.
23#
發(fā)表于 2025-3-25 14:30:20 | 只看該作者
24#
發(fā)表于 2025-3-25 18:35:07 | 只看該作者
25#
發(fā)表于 2025-3-25 20:16:00 | 只看該作者
How to Tell the History of Cultural Change Through Migration: A Post-migrant Field Theoretical Appros, literary themes and the right to state support. These mechanisms of exclusion have become naturalised in nationalised literary fields to such an extent that they were long also accepted by immigrants and their descendants. Only when they began to fight exclusion in and through their literary work
26#
發(fā)表于 2025-3-26 00:55:43 | 只看該作者
Continuity or Change? How Migrants’ Musical Activities (Do not) Affect Ethnic Boundariesch occurs when an individual shifts sides and crosses a given boundary by changing their position. By adapting Wimmer’s typology, we aspire to provide a toolkit for analysing ethnic boundaries in the musical field and to contribute to the debate on the challenges of researching migrants’ impact on t
27#
發(fā)表于 2025-3-26 07:57:02 | 只看該作者
28#
發(fā)表于 2025-3-26 12:33:12 | 只看該作者
29#
發(fā)表于 2025-3-26 13:50:54 | 只看該作者
Can Micro Practices Change National Heritage? Norwegian National Day Celebrations in a Multiculturale Norwegian national heritage. Subsequently, I analyse the extent to which this change is reflected at the level of mainstream celebrations and the ways in which it is mediated by agents of non-change. Moreover, the chapter discusses the problem of identity reductionism and the reification of ethnic
30#
發(fā)表于 2025-3-26 17:54:35 | 只看該作者
Collaborations Between Academics, Artists and Activists: Transforming Public Understandings and Reprrk in the UK, I think it is important to provide the context in which this public engagement took place, although I hope that this will be useful for researchers in other national contexts, as well. The ethos and values of participatory action research approaches can be useful for migration research
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