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Titlebook: Cult Media; Re-packaged, Re-rele Jonathan Wroot,Andy Willis Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 film.cinema.medi

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11#
發(fā)表于 2025-3-23 12:05:15 | 只看該作者
Masculinities in Early Hellenistic Athensopularity of live and immersive film-based events—a trend known as experiential cinema (Atkinson and Kennedy, 2016). Despite the apparent novelty of such events, this chapter explores how these immersive experiences can be situated within a deeper history of cult fandom. In particular, an emphasis i
12#
發(fā)表于 2025-3-23 17:36:38 | 只看該作者
13#
發(fā)表于 2025-3-23 19:13:00 | 只看該作者
14#
發(fā)表于 2025-3-23 22:36:33 | 只看該作者
Masculinities in Early Hellenistic Athensruceploitation’. Achieving momentum in the 1970s and early 1980s, this industry mainly comprised independent producers that sought to posthumously exploit the stardom of Bruce Lee by producing films featuring look-a-likes of the late martial artist and actor. Through this research, we have discovere
15#
發(fā)表于 2025-3-24 04:32:43 | 只看該作者
an attempt to combine an analysis of film texts with a consideration of how cultural, generic and industrial production beyond Hollywood can impact on how DVD technologies are used. I trace a particular historical period of transnational DVD production emanating from popular Hindi-language cinema i
16#
發(fā)表于 2025-3-24 09:30:38 | 只看該作者
17#
發(fā)表于 2025-3-24 12:29:14 | 只看該作者
18#
發(fā)表于 2025-3-24 16:28:38 | 只看該作者
19#
發(fā)表于 2025-3-24 20:11:09 | 只看該作者
e under-represented and under-researched.Addresses the need .This volume brings together writing on the topic of home media, and in particular releases described as appealing to ‘cult’ fans and audiences. Despite popular assumptions to the contrary, the distributors of physical media maintain a vivi
20#
發(fā)表于 2025-3-25 02:21:29 | 只看該作者
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