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Titlebook: Criminal Femmes Fatales in American Hardboiled Crime Fiction; Maysaa Husam Jaber Book 2016 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 17:48:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Criminal Femmes Fatales in American Hardboiled Crime Fiction
編輯Maysaa Husam Jaber
視頻videohttp://file.papertrans.cn/240/239766/239766.mp4
叢書名稱Crime Files
圖書封面Titlebook: Criminal Femmes Fatales in American Hardboiled Crime Fiction;  Maysaa Husam Jaber Book 2016 The Editor(s) (if applicable) and The Author(s)
描述This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.
出版日期Book 2016
關(guān)鍵詞Crime fiction; Femme fatale; Agency; Patriarchy; Gender; America; femme fatale; fiction; hardboiled fiction;
版次1
doihttps://doi.org/10.1057/9781137356475
isbn_ebook978-1-137-35647-5Series ISSN 2947-8340 Series E-ISSN 2947-8359
issn_series 2947-8340
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Aufgaben aus der Wirtschaftslehrets were translated in different ways that range from the hard-won gains that the “New Woman” seemed to enjoy in the 1920s; to the rescinding of this freedom during the Depression of the following decade; to women’s subsequent involvement in the wartime economy and an unprecedented rate of women’s em
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with an overpowering presence and we do not see them commit criminal acts. Their agency is located, however, in what I will call (in)visible roles. That is, despite or because of indirect avenues through which female power is mobilized, Chandler’s narratives invite us to see the roles of the crimina
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Improving Workflow Modeling Assistance,t world around them. Indeed, Goodis’s characters are disempowered by forces they cannot name; perhaps it is simply fate. Yet they also have inner struggles. In one novel after the other, we find characters who are crushed and destroyed by forces within and outside them. Goodis sustains the interest
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The “Mad-Bad” Criminal Womants were translated in different ways that range from the hard-won gains that the “New Woman” seemed to enjoy in the 1920s; to the rescinding of this freedom during the Depression of the following decade; to women’s subsequent involvement in the wartime economy and an unprecedented rate of women’s em
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