Titlebook: Creativity in the Recording Studio; Alternative Takes Paul Thompson Book 2019 The Editor(s) (if applicable) and The Author(s), under exclus

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https://doi.org/10.1007/978-3-030-01650-0Popular music; Collaboration; Systems Approach; Creative system; Music production; Songwriting

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The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Carl-Jochen Winter,Joachim NitschOver the course of four weeks, The Beatles recorded a further 25 takes each with a different approach, or an alternate arrangement, sometimes at different tempos or even in different musical keys. In doing so, John Lennon and George Martin were appraising each?of the track’s alternative takes, selec

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Thermische und Mechanische Stromerzeugunglizes and subsequently alters the domain of commercial popular music and: ‘includes all those who can affect the structure of the domain’ Csikszentmihalyi (in: Sternberg (ed) The Nature of Creativity: Contemporary Psychological Perspectives, Cambridge University Press, New York, 1988). This chapter

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,Die religi?se Grundlage im Schwesternberuf, musical, cultural and economic conventions have formed around the song and these conventions have established structures and constraints that the songwriter must negotiate in order to write a new song. In interviews, songwriters often describe their creative process as unfathomable, magical or spir

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https://doi.org/10.1007/978-3-642-98944-5status. These views are problematically linked to inspirationalist and romantic conceptions of creativity and, although they have now been dismissed as myths (Boden .), these romantic distinctions between art and craft and consequently what is considered to be creative continue to pervade the record