Titlebook: Counter-Modernism in Current Critical Theory; Geoffrey Thurley Book 1983 Geoffrey Thurley 1983 Dante Alighieri.drama.essay.Interpretation.

清醒

Fretful

Meaning,ain itself upon a system of values which are supposed to be ‘universal’ but are, in fact, designed to meet its own aims. I shall come to this matter in due course. All I want to stress here is that the question of beauty as ultimate aesthetic criterion, and of the emergence of a characteristically v

戰(zhàn)勝

放大

FOLLY

有惡意

Halfhearted

Neo-Marxism and De-Construction,rld’s action to its own inaction; (b) the attempt of a critical power-group to take over the realm of cultural discourse from the artists traditionally honoured in it; (c) the attempts of this bourgeois intelligentsia to fend off a real Marxism by rendering all discourse ineffectual, and thereby per

Ingest

A Literature for a Criticism without Contents,ngs and truths, but of pseudo-statements, which amount to a kind of linguistic play. Lastly, there is the soft-core, or historicist version of . theory, that modern texts in particular (dating from the middle of the nineteenth or the end of the eighteenth century) differ from earlier literature in b

高腳酒杯

侵略主義