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Titlebook: Cosmetic Surgery, Gender and Culture; Suzanne Fraser Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 cosmeti

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21#
發(fā)表于 2025-3-25 03:53:37 | 只看該作者
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發(fā)表于 2025-3-25 07:36:32 | 只看該作者
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發(fā)表于 2025-3-25 12:48:19 | 只看該作者
24#
發(fā)表于 2025-3-25 15:54:12 | 只看該作者
under the knife‘. This book investigates the ways in which cosmetic surgery is shaping gender, and in the process, it questions contemporary cultural studies assumptions about how we read the media.978-1-349-51160-0978-0-230-50022-8
25#
發(fā)表于 2025-3-25 23:03:51 | 只看該作者
Was Wilhelm R?pke Really a Proto-Keynesian?s draw on and contribute to the sexual imaginary. As I noted in Chapter 2, Gatens conceptualises the sexual imaginary as plural. This plurality was evident in the last chapter and emerges again in what follows, revealing various contradictions, most clearly in the section on nature.
26#
發(fā)表于 2025-3-26 03:37:18 | 只看該作者
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發(fā)表于 2025-3-26 05:22:52 | 只看該作者
Book 2003e to define which procedures can be offered and how. Through its representation, cosmetic surgery impacts on us all, not just those who go ‘under the knife‘. This book investigates the ways in which cosmetic surgery is shaping gender, and in the process, it questions contemporary cultural studies as
28#
發(fā)表于 2025-3-26 08:59:10 | 只看該作者
ors compete to define which procedures can be offered and how. Through its representation, cosmetic surgery impacts on us all, not just those who go ‘under the knife‘. This book investigates the ways in which cosmetic surgery is shaping gender, and in the process, it questions contemporary cultural
29#
發(fā)表于 2025-3-26 14:01:02 | 只看該作者
Toolkit for a Modest Witnessand methodological aids. This chapter is the first of two which will introduce these tools. In it I examine three areas: Deleuze and Guattari’s work on becoming; Moira Gatens’ use of the term ‘imaginary bodies’; and Teresa de Lauretis’ development of the notion of technologies of gender. These three
30#
發(fā)表于 2025-3-26 17:37:45 | 只看該作者
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