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Titlebook: Visions and Voice-Hearing in Medieval and Early Modern Contexts; Hilary Powell,Corinne Saunders Book 2021 The Editor(s) (if applicable) an

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樓主: panache
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發(fā)表于 2025-3-23 10:49:57 | 只看該作者
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發(fā)表于 2025-3-23 17:57:09 | 只看該作者
Sounds Like God: The Elephant in ,ry Kempe. Yet Kempe’s role as voice-hearer defines her identity. Julian’s revelations hinge importantly on words heard, while Kempe’s heard voices are much more extensive than her other visionary experiences and occur over decades. Divine voices as reported by Kempe account for some 17% of her Book
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發(fā)表于 2025-3-23 21:46:10 | 只看該作者
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發(fā)表于 2025-3-24 00:03:12 | 只看該作者
,‘Fearful Echoes Thunder in Mine Ears’: Hearing Voices in Marlowe’s ,lished 1616) reflects additions commissioned in 1602. In both texts Faustus hears voices but he hears them differently. This essay looks at the variant voice-hearing as part of a pattern of revisions that the B-text makes, contextualising the play through early modern medical opinions about voice-he
15#
發(fā)表于 2025-3-24 05:58:39 | 只看該作者
,‘Under the Operation of a Higher and Exalted Mind’: Medicine, Mysticism and Social Reform in Restor This essay focuses on a group coalescing around the mystic John Pordage, reconfigured as the Philadelphian Society under the leadership of the charismatic Jane Leade. It explores the pronounced medical interests of the group, how such ideas may have impacted on their wider vision of social regenera
16#
發(fā)表于 2025-3-24 09:28:30 | 只看該作者
Book 2021of the medieval and early modern periods. In the Middle Ages, these experiences were interpreted according to frameworks that could credit visionaries or voice-hearers with spiritual knowledge, and allow them to inhabit social roles that were as much desired as feared. Voice-hearing and visionary ex
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發(fā)表于 2025-3-24 12:08:15 | 只看該作者
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發(fā)表于 2025-3-24 16:12:53 | 只看該作者
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發(fā)表于 2025-3-24 20:00:54 | 只看該作者
Staging Conversion: Preternatural Voices and Visions in the Medieval Drama,sformed into physically realised abstractions of violent conversion. This chapter explores the use of preternatural voices and visions as converting forces in medieval drama, alongside aspects of their unique, often innovative dramaturgy.
20#
發(fā)表于 2025-3-24 23:55:15 | 只看該作者
,Writing and Reading the Word: Patterns of Divine Speech in Julian of Norwich’s ,given to voice-hearing and speech in Julian’s visionary experience goes to the very heart of what is at stake in her faith in God. Talking with God deepens her personal relationship to God, and this is perfected ultimately in her full, personal and intimate friendship with Christ.
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