Titlebook: Contemporary Horror on Screen; An Evolving Visual N Sarah Baker,Amanda Rutherford,Richard Pamatatau Book 2023 The Editor(s) (if applicable)

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Olf Herbarth,Uwe Schlink,Matthias Richteron, actually reifies the white privilege of the other films in the series. We see this perception and interpretation play out in the reviews of .. For example, Richard Corliss’ ‘Familiar Scares with a Salsa Tang’: the film ‘takes a detour…from the nice white people getting haunted in suburban Los An

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Francisco J. Varela,Jean-Pierre Dupuyody snatchers, slashers, or supernatural monsters for example. Odell and LeBlanc (2011) described the horror film genre as having ‘a(chǎn) fearsome reputation, dismissed by critics and pilloried by the media. Yet it is hugely popular, diverse in content and as old as cinema itself’ (7).

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Sarah Baker,Amanda Rutherford,Richard PamatatauPresents a rigorous examination of the horror genre in the context of contemporary popular culture.Examines what the horror genres offers to audiences and to pop culture in general in addressing moder

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Introduction,ody snatchers, slashers, or supernatural monsters for example. Odell and LeBlanc (2011) described the horror film genre as having ‘a(chǎn) fearsome reputation, dismissed by critics and pilloried by the media. Yet it is hugely popular, diverse in content and as old as cinema itself’ (7).

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https://doi.org/10.1007/978-981-99-4965-6Apocalyptic Horror; Contemporary Horror; Horror Cinema; Global TV and Horror; Gender and Contemporary ho

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978-981-99-4967-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor

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When Corporate Biology Gets Caught up with Mother Nature: An Analysis of the Netflix Viral Horror thas havoc and horror are unleashed and many are wiped out just from getting wet. But in this case the virus becomes an important character or figure in the horror of what ecologic shock, perhaps akin to climate change projections, and how it might affect every aspect of society. Aligned with this is