Titlebook: Contemporary Canadian Women’s Fiction; Refiguring Identitie Coral Ann Howells Book 2003 Coral Ann Howells 2003 Canada.fiction.migrant.women

毀壞

江湖郎中

,“How do we Know we are who we think we are?”,I tell you about your mother” (p. 566). This invitation throws the reader back to the opening of the novel, for it is Lily’s voice that begins the narrative as it loops back into the past: “They’re all dead now” (p. 1).

令人悲傷

First Nations,aditions, for Beth writes her memoir using her dead mother’s scrapbook of country recipes and folk remedies as her model, though it is also a revision of tradition as she informs the reader right from the start: “The scrapbook was my mother’s way of setting down the days so they wouldn’t be forgotten. This story is my way” (., p. 2).

Eclampsia

rhetoric of multiculturalism. By looking closely at a representative range of fictions in English by women from a variety of ethnocultural backgrounds, Howells examines the complexities embedded within Canadian identity. What does ‘Refiguring Identities‘ mean for these writers, given their individu

Asparagus

確定無(wú)疑

978-1-349-38675-8Coral Ann Howells 2003

Lime石灰

Differenzialistische Organisationstheorie,women’s fiction written in English. As a reader and critic working outside Canada, I have been impressed by two remarkable phenomena during this period. One is the increasingly familiar presence of Canadian women’s fiction on international publishers’ lists together with the high visibility of Canad

Indecisive

安慰

Robust