Titlebook: Conrad: Almayer’s Folly to Under Western Eyes; Daniel R. Schwarz Book 1980 Daniel R. Schwarz 1980 fiction.history of literature.literature

嚴厲

書目名稱Conrad: Almayer’s Folly to Under Western Eyes影響因子(影響力)




書目名稱Conrad: Almayer’s Folly to Under Western Eyes影響因子(影響力)學科排名




書目名稱Conrad: Almayer’s Folly to Under Western Eyes網絡公開度




書目名稱Conrad: Almayer’s Folly to Under Western Eyes網絡公開度學科排名




書目名稱Conrad: Almayer’s Folly to Under Western Eyes被引頻次




書目名稱Conrad: Almayer’s Folly to Under Western Eyes被引頻次學科排名




書目名稱Conrad: Almayer’s Folly to Under Western Eyes年度引用




書目名稱Conrad: Almayer’s Folly to Under Western Eyes年度引用學科排名




書目名稱Conrad: Almayer’s Folly to Under Western Eyes讀者反饋




書目名稱Conrad: Almayer’s Folly to Under Western Eyes讀者反饋學科排名

殖民地

Unrestcus from the tale to the teller. Although he has already published . (1895) and . was already completed and to be published in 1896, Conrad is plagued by anxiety and self-doubt about his new career. In an 1896 letter to Garnett he agonises: ‘Everything seems so abominably stupid. You see the . is no

Tincture

SUGAR

Marlow’s role in ‘Youth’ and ‘Heart of Darkness’ and explores his intellectual and moral identity. Except for brief moments of despair, Conrad believed in the essential value of self-knowledge and self-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purpose

出沒

止痛藥

止痛藥

Interferons

Language as value in nd, the written, linear language on the page (the means of mimesis), and on the other, the imaginary events and characters (the objects of mimesis) for which language is a catalyst. Criticism of . has rarely distinguished between the object of mimesis and the means of mimesis; between the ‘monstrous

正常

領巾