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Titlebook: Computers and Writing; Issues and Implement Mike Sharples Book 1992 Springer Science+Business Media Dordrecht 1992 Information Technology (

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樓主: FERN
21#
發(fā)表于 2025-3-25 07:00:38 | 只看該作者
22#
發(fā)表于 2025-3-25 10:48:39 | 只看該作者
https://doi.org/10.1007/978-94-010-2156-2g the text and editing either the text itself or the ideas and goals). The interactions of these processes can account for a variety of writing strategies, and the model offers a plausible explanation for problems such as ‘writer’s block’ and for the differences between inexpert and expert writers.
23#
發(fā)表于 2025-3-25 12:59:22 | 只看該作者
B. Dietzschold,M. Schnell,H. Koprowskic levels, they have embraced technology with more enthusiasm than their publishers. The challenge facing those involved in books is to make provision for presenting and displaying work in electronic form: to improve contracts and licensing agreements, and to disseminate information on technology to authors.
24#
發(fā)表于 2025-3-25 17:44:43 | 只看該作者
25#
發(fā)表于 2025-3-25 23:49:21 | 只看該作者
26#
發(fā)表于 2025-3-26 04:07:07 | 只看該作者
https://doi.org/10.1007/b128410aders to construct their own hypertexts from linear documents. This approach offers useful data on logical connectivity in hypertext documents but also represents an alternative to conventional hypertext authoring and reading.
27#
發(fā)表于 2025-3-26 06:41:35 | 只看該作者
28#
發(fā)表于 2025-3-26 08:35:42 | 只看該作者
Authors and Information Technology: New Challenges in Publishing,c levels, they have embraced technology with more enthusiasm than their publishers. The challenge facing those involved in books is to make provision for presenting and displaying work in electronic form: to improve contracts and licensing agreements, and to disseminate information on technology to authors.
29#
發(fā)表于 2025-3-26 15:44:34 | 只看該作者
30#
發(fā)表于 2025-3-26 17:01:51 | 只看該作者
Cinewrite: an Algorithm-sketch for Writing Novels Cinematically, and two Mysteries Therein,lation of ‘temporally extended’ mental images, and adoption of a character’s point of view. After CINEWRITE is sketched, these two aspects of narrative creation are examined from a theoretical point of view, which results in the humbling admission that handling them computationally is bound to be extraordinarily difficult.
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