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Titlebook: Computer Music Modeling and Retrieval; Second International Uffe Kock Wiil Conference proceedings 2005 Springer-Verlag Berlin Heidelberg 20

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樓主: GLOAT
51#
發(fā)表于 2025-3-30 09:05:17 | 只看該作者
52#
發(fā)表于 2025-3-30 15:20:00 | 只看該作者
Handel, a , Gesture Recognition Systemes of the performer’s hands in movement the computer detects x-y positions, shape (posture) and angle of rotation of both the hands. Data extracted from image analysis every frame is used for controlling real-time interactive computer music performances. Two approaches, one more formal the other really operative, are presented.
53#
發(fā)表于 2025-3-30 17:05:08 | 只看該作者
https://doi.org/10.1007/978-3-031-51540-8ust enough to be applied virtually to any kind of music. A source separation modeling has been investigated starting from ICA model. An ICA modified unmixing model has been proposed as preprocessing subsystem. This subsystem demonstrated to be very helpful for efficient applying of processing algorithms to rhythm and pitch tracking.
54#
發(fā)表于 2025-3-30 20:45:30 | 只看該作者
55#
發(fā)表于 2025-3-31 01:04:18 | 只看該作者
P. L. Reichertz,B. Schwarz,H. J. Meldaumonic fields which may have a natural phenomena basis when observational data of certain types of variable stars are analyzed. The pulsation of some semiregular and delta scuti stars is reflected in their light curves which can be modelled by means of sinusoidal sequences related with the golden number.
56#
發(fā)表于 2025-3-31 06:40:55 | 只看該作者
Create Innovative Portfolio Alternatives,s . and the forty-eight Fugues from the .. We report an overall average fragment consistency of 99.75%, correct fragment connection rate of 94.50% and average voice consistency of 88.98%, metrics which we propose to measure voice separation performance.
57#
發(fā)表于 2025-3-31 11:10:33 | 只看該作者
https://doi.org/10.1007/978-981-16-2082-9clearly, most of the melody notes were successfully detected. However, for songs where the melody is not that salient, the algorithm was not very accurate. Nevertheless, the followed approach seems promising.
58#
發(fā)表于 2025-3-31 15:45:30 | 只看該作者
Authenticity and the ‘Authentic City’multi-parameter space where the performer’s score provides means for exploring the space. The open-form notation emphazises the interactive functionality of the space, and a performance becomes one of many possible explorations of the space.
59#
發(fā)表于 2025-3-31 20:46:53 | 只看該作者
60#
發(fā)表于 2025-4-1 00:50:07 | 只看該作者
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