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Titlebook: Complicite, Theatre and Aesthetics; From Scraps of Leath Tomasz Wi?niewski Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 T

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發(fā)表于 2025-3-21 18:14:43 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Complicite, Theatre and Aesthetics
副標題From Scraps of Leath
編輯Tomasz Wi?niewski
視頻videohttp://file.papertrans.cn/232/231778/231778.mp4
概述Offers the first academic analysis that focuses solely on Complicite/Simon McBurney.Makes extensive use of interviews, recordings and the theatre company‘s own archival materials.Proposes a new approa
圖書封面Titlebook: Complicite, Theatre and Aesthetics; From Scraps of Leath Tomasz Wi?niewski Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 T
描述This book presents a pioneering critical study of Complicite’s work throughout the years. Drawing on an extensive overview of the available research material – including interviews, manuscripts and the company’s own archive – the book is framed within a clearly defined research perspective and explores the singularity of theatre communication. The book results from an encounter between the London-based – but cosmopolitan in scope – company, and a fresh application of the form-oriented scholarship of Eastern Europe, Yuri Lotman’s semiosphere in particular. Focused on the aesthetics of Complicite, this study achieves a critical distance and undertakes multidimensional scrutiny of the available research material. By identifying? the ?principles of Complicite’s aesthetics, the book attempts to grasp the company’s? artistic paradigm. It focuses on ways of creating, preserving, and decoding meanings, rather than on the nuances of performance or contextual issues..
出版日期Book 2016
關鍵詞Theatre company; Théatre de Complicité; Simon McBurney; Performance practice; commedia dell’arte; Yuri Lo
版次1
doihttps://doi.org/10.1007/978-3-319-33443-1
isbn_softcover978-3-319-81513-8
isbn_ebook978-3-319-33443-1
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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Introduction: Definitions and Conceptsng the aesthetics of Complicite through Yuri Lotman’s concept of the semiosphere. The analogies include the delimitation of communicative space, the dynamic relations between the centre and the periphery, the notion of the boundary and the autonomy of constitutive elements. Four levels of theatre co
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https://doi.org/10.1007/978-3-319-33443-1Theatre company; Théatre de Complicité; Simon McBurney; Performance practice; commedia dell’arte; Yuri Lo
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978-3-319-81513-8The Editor(s) (if applicable) and The Author(s) 2016
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