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Titlebook: Community without Community in Digital Culture; Charlie Gere Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012

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樓主: 冰凍
11#
發(fā)表于 2025-3-23 11:44:20 | 只看該作者
Digitality,uch technologies are part of the history of the Death of God, the loss of an overarching metaphysical framework which would bind us together in some form of relation or communion. Far from producing new kinds of community and relationality, these technologies effect non-relations, and non-communities, community without community.
12#
發(fā)表于 2025-3-23 17:53:59 | 只看該作者
13#
發(fā)表于 2025-3-23 18:50:54 | 只看該作者
Darwin after Dawkins after Derrida,teenth century find themselves ….’. One result of this was the emergence of conceptions of the Universe as a machine designed and set off by God, similar to a clock or watch. Perhaps the most famous expression of the universe as a watch was by William Paley in his book
14#
發(fā)表于 2025-3-24 00:29:45 | 只看該作者
15#
發(fā)表于 2025-3-24 05:54:51 | 只看該作者
16#
發(fā)表于 2025-3-24 08:31:16 | 只看該作者
17#
發(fā)表于 2025-3-24 14:09:22 | 只看該作者
18#
發(fā)表于 2025-3-24 15:28:03 | 只看該作者
Derrida, Nancy and the Digital,arly in relation to touch. In ., Derrida analyses what he describes as a ‘humanualism’ [humainisme] that pervades much Western thinking. He takes as an example the essay ‘Sur l’influence de l’habitude’ by the late eighteenth, early nineteenthcentury philosopher Maine de Biran, in which he finds the
19#
發(fā)表于 2025-3-24 20:17:54 | 只看該作者
Darwin after Dawkins after Derrida,h an idea is self-evidently the product of a culture or cultures in which handicraft is the main, if not sole, means of production. With the emergence of mechanistic philosophies, and mechanical means of production, this changed. In the section on the poet Gerard Manley Hopkins in ., J. Hillis Mille
20#
發(fā)表于 2025-3-25 02:12:56 | 只看該作者
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