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Titlebook: Comedy, Seriously; A Philosophical Stud Dmitri Nikulin Book 2014 Dmitri Nikulin 2014 comedy.dialectic.ethics.history.history of literature.

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樓主: Detrusor-Muscle
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發(fā)表于 2025-3-23 11:27:41 | 只看該作者
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發(fā)表于 2025-3-23 15:20:09 | 只看該作者
https://doi.org/10.1007/978-981-10-6971-0n which this is achieved. Comedy is a well-ordered (inter)action that unfolds between a number of actors—as opposed to the isolation of a single subject. It moves through an inevitable complication to a resolution and a good ending. This resolution comes as a result of an intended common action of p
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發(fā)表于 2025-3-23 20:35:25 | 只看該作者
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發(fā)表于 2025-3-24 01:42:39 | 只看該作者
Social Customer Relationship Managementght-after conclusion, often in a way that is different from the manner in which it was originally intended. Everything that has been said suddenly, and often unexpectedly, receives meaning and justification; the effort is repaid, and the thought is gathered together, so that nothing is left obsolete
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發(fā)表于 2025-3-24 02:56:41 | 只看該作者
https://doi.org/10.1007/978-3-319-13027-9n antiquity, comedy was one genre of ..
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發(fā)表于 2025-3-24 08:39:22 | 只看該作者
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發(fā)表于 2025-3-24 12:24:13 | 只看該作者
Social Customer Relationship ManagementWhat is the role of character in the comic universe? Are comic characters just functions of the plot, or are they independent of it? Or, perhaps, is the plot defined either by the individual “l(fā)ogic” of each character or by the “l(fā)ogic” of the whole of the interaction of characters?
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發(fā)表于 2025-3-24 16:54:03 | 只看該作者
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發(fā)表于 2025-3-24 20:53:18 | 只看該作者
The Catastrophe of the Good Endinghe epilogue is the “catastrophe” of comedy. A seemingly oxymoronic catastrophic good ending is a most important defining characteristic of comedy, resting on the principle “all’s well that ends well,” which was formulated by New Comedy long before Shakespeare. We need to clarify, therefore, the meaning of . and ..
20#
發(fā)表于 2025-3-25 02:03:45 | 只看該作者
Foolish Wisdom: The Philosopher as a Comic FigureWhat is the role of character in the comic universe? Are comic characters just functions of the plot, or are they independent of it? Or, perhaps, is the plot defined either by the individual “l(fā)ogic” of each character or by the “l(fā)ogic” of the whole of the interaction of characters?
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