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Titlebook: Colour and Experience in Nineteenth-Century Poetry; Richard Cronin Book 1988 Richard Cronin 1988 color.experience.John Keats.language.medi

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樓主: 烏鴉
41#
發(fā)表于 2025-3-28 14:57:40 | 只看該作者
Woven Colours the very white of truth’, but, as John Bayley remarks, the phrase suggests a Brazil nut rather than white radiance. Truth, for Keats, is immanent, not transcendent: it is to be found within, not beyond, human experience. I had better quote at once the passage that might seem to contradict me:
42#
發(fā)表于 2025-3-28 21:10:27 | 只看該作者
The Subtle Prismates the art of moral spectroscopy. The Pope, an old man near death, looks around him, and, as old men do, sees everywhere evidence of moral degeneration. The glare of the world is hopelessly confused with the blaze of the divine sun:
43#
發(fā)表于 2025-3-29 00:58:11 | 只看該作者
,Der Mensch entscheidet im Anthropoz?n,light he steeps himself in is not white but coloured, and he returns after each pilgrimage dyed, grotesque, further from the completion of his quest than he was when he set out. So, he returns from the yellow ray:
44#
發(fā)表于 2025-3-29 06:42:41 | 只看該作者
The Crimson Questlight he steeps himself in is not white but coloured, and he returns after each pilgrimage dyed, grotesque, further from the completion of his quest than he was when he set out. So, he returns from the yellow ray:
45#
發(fā)表于 2025-3-29 10:09:59 | 只看該作者
https://doi.org/10.1007/978-3-642-95889-2e to support this, Turner, too, must surely have found . congenial. Jack Lindsay has identified ‘the sunset ship’, the helpless or storm-battered hulk silhouetted against a crimson sun, as Turner’s focal image,. and . contains the mightiest description in verse of such a vessel.
46#
發(fā)表于 2025-3-29 14:52:52 | 只看該作者
Sind die Deutschen technikfeindlich?ll through his life Ruskin’s love of colour vied with other impulses which persuaded him that colour was not at all the most important of material qualities, and love of colour not the best sign of an upright character.
47#
發(fā)表于 2025-3-29 19:32:01 | 只看該作者
48#
發(fā)表于 2025-3-29 23:01:13 | 只看該作者
Two Flocks, Two Folds — Black, Whitell through his life Ruskin’s love of colour vied with other impulses which persuaded him that colour was not at all the most important of material qualities, and love of colour not the best sign of an upright character.
49#
發(fā)表于 2025-3-30 02:34:57 | 只看該作者
50#
發(fā)表于 2025-3-30 04:29:48 | 只看該作者
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