Titlebook: Coleridge and the Romantic Newspaper; The ‘Morning Post‘ a Heidi Thomson Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Pri

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omplex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.978-3-319-81168-0978-3-319-31978-0

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José Barbosa,Paulo Leit?o,Joy Teixeira personal nature in the unambiguously public space of the newspaper. The focus is on Coleridge’s personal and poetical relationships between 1799, when he returned from Germany, and 1802, when he published ‘Dejection. An Ode’ in the . newspaper on 4 October, the wedding day of his best friend Willia

Intercept

Inferior

https://doi.org/10.1007/978-3-319-73751-5er reconfigured as ‘Love’, this poem proclaimed Coleridge’s love for Sara Hutchinson and his need for a sympathetic audience. In a reading of both the letter ‘To the Editor of the .’ and the poem itself, I analyse how this poem departs from ‘The Eolian Harp’ and how it stages an alternative response

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Architecture for Production Internetlt in the Lake District through a study of newspaper notices, articles, and poems. I relate the use of the word ‘Grieta’, and its associations with loud lamentation, to the publication of ‘To an Old Man’ on 16 July 1801. I attribute the . notice about Wordsworth’s wedding to Coleridge through a cont

Cursory

impaction

核心

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