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Titlebook: Coleridge and the Romantic Newspaper; The ‘Morning Post‘ a Heidi Thomson Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Pri

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發(fā)表于 2025-3-23 11:46:03 | 只看該作者
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發(fā)表于 2025-3-23 14:55:09 | 只看該作者
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發(fā)表于 2025-3-23 19:31:58 | 只看該作者
Jonas Queiroz,Paulo Leit?o,Eugénio Oliveira October 1802. At the same time, Coleridge was also asserting his own poetic identity, against Wordsworth’s, in ‘Chamouni’, and expressing his passion for Sara Hutchinson in ‘The Picture’, ‘The Keep-Sake’, ‘the Day-Dream’, and ‘An Ode on the Rain’.
14#
發(fā)表于 2025-3-24 01:01:23 | 只看該作者
Anna De Carolis,Giacomo Tavola,Marco Taischer than most biographies and critical studies have indicated. In the . Coleridge found a place for the performance and circulation of his frustrations and afflictions. By taking the location of publication as the unifying focus of my discussion, I have tried to shed new light on the intricacies of Coleridge’s life and work between 1799 and 1802.
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發(fā)表于 2025-3-24 05:20:17 | 只看該作者
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發(fā)表于 2025-3-24 11:58:56 | 只看該作者
Homeless at Grieta Hall,cription for a Seat by a Road Side’, published on 21 October 1800. The chapter concludes with a discussion of Coleridge’s joyful seaside holiday, in the company of Sara Hutchinson, and a consideration of ‘Ode, After Bathing in the Sea’ and a satirical piece about bathing decorum, both published on 15 September 1801 in the ..
18#
發(fā)表于 2025-3-24 16:31:52 | 只看該作者
,‘Merely the Emptying Out of My Desk’, October 1802. At the same time, Coleridge was also asserting his own poetic identity, against Wordsworth’s, in ‘Chamouni’, and expressing his passion for Sara Hutchinson in ‘The Picture’, ‘The Keep-Sake’, ‘the Day-Dream’, and ‘An Ode on the Rain’.
19#
發(fā)表于 2025-3-24 20:32:07 | 只看該作者
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發(fā)表于 2025-3-24 23:50:08 | 只看該作者
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