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Titlebook: Class, Crime and International Film Noir; Globalizing America‘ Dennis Broe Book 2014 Palgrave Macmillan, a division of Macmillan Publishers

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發(fā)表于 2025-3-25 03:27:56 | 只看該作者
Spezielle Erreger und Infektionen,oward equality the moment called ‘The Italian Spring.’ The forces of the left pushing for major change, both in the society as a whole and in the film industry in particular, were stronger than in Britain and less aligned with the traditional power structure, producing both a government with strong
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Spezielle Erreger und Infektionen,k alignment of class forces. What was at first an outbreak of grassroots democracy, as unions encouraged by the US Occupation burgeoned, ultimately gave way to a repression, spearheaded by the US government and Japanese business interests. This repression led, by way of a communist witch hunt justif
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發(fā)表于 2025-3-25 14:22:52 | 只看該作者
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發(fā)表于 2025-3-25 19:38:43 | 只看該作者
Overview: Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.978-1-349-45041-1978-1-137-29014-4
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發(fā)表于 2025-3-25 23:58:08 | 只看該作者
Book 2014Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.
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發(fā)表于 2025-3-26 02:21:01 | 只看該作者
https://doi.org/10.1057/9781137290144America; argue; bibliography; Britain; cold war; democracy; film; French; Great Britain; Italy; Japan; Japanese
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發(fā)表于 2025-3-26 05:22:18 | 只看該作者
978-1-349-45041-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
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發(fā)表于 2025-3-26 09:06:40 | 只看該作者
,Introduction: Global Fugitives — Outside the Law and the Cold War ‘Consensus’,ses. Noir is acknowledged as having international roots in 1920s German Expressionism and 1930s French Poetic Realism, but the form itself is then seen to come to fruition in Hollywood with only scant attention paid to any complementary and parallel expression, and, if so, only in Britain and France
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發(fā)表于 2025-3-26 15:19:39 | 只看該作者
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