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https://doi.org/10.1007/978-3-319-54069-6e later stage directions prescribe ‘.’. Barbers on stage were often equipped with recognizable gear of their occupation, so Hengist’s line, ‘Now, Sir, are you the Barber?’ (questioning what is obvi?ous), is likely to catch a laugh. ‘Oh most barbarous!’, puns the barber in response.. Related activiti

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Karl Gabriel,Hans-Richard Reuterlurry of such fines in the late-sixteenth and early-seventeenth century: on 24th July 1599 ‘Richard Samborne complayned of one Phillip Winter for settinge upp a shoppe in paules church yarde beinge not free’.. The threat of unlicensed practice lay in its material manifestation as much as in the figu

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Shafi Md Mostofa,Howard Brasted.. Moreover, there is no simple divide between speaking and writing, particu?larly when we think about the production, performance, and publication of drama: rather, in Carla Mazzio’s words, there is a ‘crossroads of oral and textual cultures’.. The intersections between the oral and the literate in

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Jiaqi Liaoe the interpretation of utterances, temporal, contextual, subjective and other aspects. Semantics is either considered operationally on the basis of applications or implementations, or logically associating a database state or a collection of database states to a truth value or pragmatically by rela

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