Titlebook: City and Modernity in Georg Simmel and Walter Benjamin; Fragments of Metropo Vincenzo Mele Book 2022 The Editor(s) (if applicable) and The

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Omar Jaradat,Sasikumar Punnekkatat of an “awakening” from the induced dream and phantasmagoria of the commodity, which, however, did not deny in a unilateral way the characteristics of this world but actualized its critical and utopian potential in the space of history.

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Metropolis and Modernity,iological discourse of modernity, the metropolis emerges as an “aesthetic object” characterized by a number of privileged themes—in particular (1) the crisis of the idea of progress and the self-description of the modern as an emphatic “time now”, symbolized by fashion; (2) as a consequence of this,

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The Sociological Aesthetics of Modernitye philosophical essay..Herein we consider some significant aspects of Simmel’s sociological aesthetics in order to understand his conception of modernity. First, we try to reconstruct what the aesthetic character of the modern is and how Simmel arrived at it through his adherence to artistic and soc

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Baudelaire as the Lyric Poet in the Age of Mature Capitalism more distance—by Simmel. It was the destructive, unsociable and discontented fury towards his own time that Benjamin intended to “save” in Baudelaire. In fact, the elimination of the illusory appearance that emanates from any given order, whether it be that of art or of life, as an appearance of to