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Titlebook: Citizenship and Belonging in France and North America; Multicultural Perspe Ramona Mielusel,Simona Emilia Pruteanu Book 2020 The Editor(s)

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發(fā)表于 2025-3-23 11:43:49 | 只看該作者
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發(fā)表于 2025-3-23 15:08:09 | 只看該作者
Charles M. Lewis (Professor of Philosophy)rench-Maghrebi postcolonial paradigm. Unfortunately, the latter remains an issue for Muslim Maghrebis in Quebec. From province-wide political debates about secularism to high unemployment rates, the ghost-like presence of France’s own problematic relation with Muslim Maghrebis is plain to see. This
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發(fā)表于 2025-3-23 18:57:48 | 只看該作者
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發(fā)表于 2025-3-24 00:04:35 | 只看該作者
Forms of relativistic quantum dynamics,ry film .. This 1977 law (Bill 101) seeks to protect and promote French in Québec. In the state educational domain, it requires most immigrants and Francophones to attend school in French. One of the aims of the law was to sensitize those of immigrant background to Québec’s culture and historical si
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發(fā)表于 2025-3-24 02:51:40 | 只看該作者
https://doi.org/10.1007/3-540-11573-0 build awareness and acceptance of the policy by recognizing the achievements of individuals from immigrant and racialized groups. This chapter draws on extensive archival research to address the work of key figures who advocated for civil liberties, human rights and race relations in Canada within
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發(fā)表于 2025-3-24 07:19:31 | 只看該作者
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發(fā)表于 2025-3-24 11:45:00 | 只看該作者
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發(fā)表于 2025-3-24 15:51:17 | 只看該作者
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發(fā)表于 2025-3-24 22:17:33 | 只看該作者
On the Islamophobic Mind and Its Agenda in Francefueled these feelings in the French context. The rise of Islamophobic feelings that can be regarded as an epistemological paralysis allows Beggar to study Islamophobia as a Trojan horse for those who want to change the narrative about colonialism, racism and power relations in the French context.
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發(fā)表于 2025-3-25 02:26:17 | 只看該作者
Framing the Immigration Discourse and Drawing the Citizen: Concrete Representations of the “Migrationd illegality. Moreover, Pruteanu analyses the importance of the image of the author as both reporter and witness of the facts, linking Masson and Aurel’s works to the biofictional genre which Rosalia Baena calls ‘life writings’ (.. London: Routledge, 2014).
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