Titlebook: Cinematic Urban Geographies; Fran?ois Penz,Richard Koeck Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 cinema.film.filmma

純樸

Cinematic Urban Archaeology: The Battersea Casendon’s (SoL) research, in an attempt to answer the question raised by Raban; how do feature films reveal the ‘soft’ illusions, myths, aspirations and nightmares of city dwellers? Directors and cinematographers use space to express character and atmosphere; interiors and exteriors are selected, lit a

耐寒

Entropion

‘Los Angeles and Hollywood in Film and French Theory: Agnès Varda’s , (1969) and Edgar Morin’s , (19ng its many visitors, French filmmakers and philosophers provided some of the most interesting commentaries on its condition. Agnès Varda, Jacques Demy, Jacques Deray, Edgar Morin, Louis Marin, and Jean-Fran?ois Lyotard all resided in Southern California and produced films or books from their experi

英寸

Urban Cinematic Palimpsests: Moving Image Databases for the Cityys a shot-by-shot annotation with descriptive metadata, the statistical processing of the analysis and the graphic reconstruction of the accumulated results. This novel analytical toolkit has been tested with several tourist documentaries about Athens from the 1950s and 1960s, as part of a research

osteoclasts

https://doi.org/10.1007/978-3-031-14256-7 in 1575. A narrative layers methodology is applied to William Smith’s subjective rendering of Cambridge and reveals that it prefigures contemporary developments of the city in the twenty-first century.

opportune

Regional Fisheries Management Organizationsary to cross-reference maps with further documentation in order to (re)gain a certain control over a city. Ultimately, Rosi’s film depicts a society where the ‘liquid stage of modernity’ (Zygmunt Bauman) has effected a loss of legal control over a city: maps, it is said here, ‘have turned out useless’.

配偶

Fluctuate

大洪水

Chapter 11 The Quaternary in Africa,ges of the city has been neglected because of contempt for the medium. It is argued that it is on television, in the living rooms of the nation, that changing ideas of Britishness were negotiated and the essay concludes with a discussion of the Deptford-set detective series, .

勤勞

Chapter 5 The Mid-Proterozoic Kibaran Belts,ence. This essay zooms in on Varda’s film . (1969) and Morin’s book . (1970). These profit from a reading side by side because of their instructive similarities and differences, notably in their responses to LA’s distinctive landscapes, built environment, social heterogeneity, counterculture, and media spectacle.”