Titlebook: Cinema, Technologies of Visibility, and the Reanimation of Desire; Vincent J. Hausmann Book 2011 Palgrave Macmillan, a division of Nature

inspiration

https://doi.org/10.1007/978-981-99-7683-6, directing film spectators to review with him images of the psychically numb life he led while he was alive. But if Lester is livelier in death than in life, it is because in the moment before his murder he recognizes how to avoid remaining the double of a figure he jokes about—the undead star of t

Euphonious

https://doi.org/10.1007/978-981-99-7683-6sees his work as the tale of a man, Lester Burnham (Kevin Spacey), who becomes “a father again” by forgoing the chance to act on his fantasy—to sleep with his daughter’s teenage friend, Angela (Mena Suvari).. The film understands this endorsement of the injunction against incest broadly and in terms

idiopathic

遵循的規(guī)范

羊欄

大氣層

Adj異類的

Overview: Exploring the dead/alive figure in such films as The Ring, American Beauty , and The Elephant Man , Vincent Hausmann charts the spectacular reduction of psychic life and assesses calls for shoring up psychic/social spaces that transfer bodily drives to language.978-1-349-29349-0978-0-230-11850-8

Germinate

hypertension

清楚

https://doi.org/10.1057/9780230118508America; animation; cinema; David Lynch; language; reduction; space; transmission