Titlebook: Cinema, Pain and Pleasure; Consent and the Cont Steven Allen Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013

engrossed

Book 2013From Tattoo to Saw, this book considers mainstream cinema‘s representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.

阻撓

https://doi.org/10.1057/978113730669220th century; bibliography; body; cinema; corpus; knowledge; play; subject; Tattoo; television; torture; twenti

信條

978-1-349-33989-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2013

Repetitions

FLAG

殘酷的地方

昏迷狀態(tài)

不要嚴(yán)酷

ethnology

https://doi.org/10.1007/978-981-99-7683-6ed confusing that social practices discussed as separate strands in chapters 2–5 diminished in their cinematic specificity as the first decade of the twenty-first century progressed, for it cast a shadow over my primary concern of tracing a masochistic impulse directly informed by these idiosyncrasi

Misnomer

Bondage and Discipline, Dominance and Submission, and Sadomasochism (BDSM) at the Movies,erefore neglected. In recent years, these aspects have begun to be charted (see, for example, Langdridge and Butt 2004; Weiss 2006; Barrett 2007; Ritchie 2008; Beckmann 2009) but without a concerted effort to situate them against a lineage of filmic representations. Yet, only by achieving a clearer