Titlebook: Chaucer‘s Women: Nuns, Wives and Amazons; Priscilla Martin Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 g

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The Merchandise of Love: Wives and Merchants,tance who must pay for them with real money. The female voice denies any conflict of interest. The husband clothes his wife ‘a(chǎn)l for his owene worshipe richely’ (13) and she is perfectly happy to be a walking — or dancing — status symbol. It is a false economy to grudge the expenditure: if the husban

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Criseyde,He is apparently thinking mainly of male lovers: ‘Have he my thonk, and myn be this travaille! … preieth for hem that ben in the cas / Of Troilus … sende hem myghte hire ladies so to plese’ (. 21, 29–30, 45), though he does specifically include women when he considers lovers as the victims of slande

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Sex, Discourse and Silence,ceives an ironic bow at the end of the ., she breaches literary decorum by irrupting into the . and she reappears in a quite separate poem, ‘Lenvoy de Chaucer a Bukton’. This contrast between the women is reflected in their stories. Prioress celebrates the piety of the child who learns a holy song b

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BizTalk Design Patterns and Practicester winning the tournament and the right to marry Emily. They are a wonderful example of Chaucerian hospitality to a range of voices and experience: for a moment the scope of the narrative widens to include a perspective on the story very different from the views of the main actors.

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