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Titlebook: Celebrity Authorship and Afterlives in English and American Literature; Gaston Franssen,Rick Honings Book 2016 The Editor(s) (if applicabl

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樓主: GERM
31#
發(fā)表于 2025-3-26 21:23:29 | 只看該作者
,The Daguerreotype Devil: Herman Melville (1819–1891),d the literature they read. This chapter investigates Melville’s response to the daguerreotype, and the method’s general appeal to the contemporary audience. It argues that the daguerreotype in Melville’s day prefigures the impact that photography would have on modern and contemporary celebrity culture.
32#
發(fā)表于 2025-3-27 02:00:15 | 只看該作者
,Production and Reproduction: Gertrude Stein (1874–1946),lectric sign announcing, ‘Gertrude Stein Has Arrived’, raising questions of aesthetic, cultural and economic values as well as her own ‘recognition and non-recognition’ of herself. The chapter thus illustrates the tensions between the work-producing author and her public image, when it takes on a life of its own.
33#
發(fā)表于 2025-3-27 07:36:03 | 只看該作者
34#
發(fā)表于 2025-3-27 12:10:33 | 只看該作者
35#
發(fā)表于 2025-3-27 14:29:55 | 只看該作者
Book 2016f their writerly self as well as the afterlife of their public image. Case studies are John Keats, Edgar Allan Poe, Eliza Cook, Herman Melville, Oscar Wilde, Gertrude Stein, J.D. Salinger and Zadie Smith..Literary celebrity is part and parcel of modern literary culture, yet it continues to raise int
36#
發(fā)表于 2025-3-27 20:50:44 | 只看該作者
37#
發(fā)表于 2025-3-28 01:27:32 | 只看該作者
38#
發(fā)表于 2025-3-28 03:04:53 | 只看該作者
39#
發(fā)表于 2025-3-28 07:12:15 | 只看該作者
40#
發(fā)表于 2025-3-28 14:03:36 | 只看該作者
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