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Titlebook: Canadian Science Fiction, Fantasy, and Horror; Bridging the Solitud Amy J. Ransom,Dominick Grace Book 2019 The Editor(s) (if applicable) an

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發(fā)表于 2025-3-21 18:12:48 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Canadian Science Fiction, Fantasy, and Horror
副標(biāo)題Bridging the Solitud
編輯Amy J. Ransom,Dominick Grace
視頻videohttp://file.papertrans.cn/222/221026/221026.mp4
概述Focuses exclusively on Canadian texts.Provides a framework for understanding the Canadian fantastic.Explores timely themes especially posthumanism and transnationalism
叢書名稱Studies in Global Science Fiction
圖書封面Titlebook: Canadian Science Fiction, Fantasy, and Horror; Bridging the Solitud Amy J. Ransom,Dominick Grace Book 2019 The Editor(s) (if applicable) an
描述.Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes. exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement..
出版日期Book 2019
關(guān)鍵詞Canadian science fiction; Canadian speculative fiction; Canadian horror literature; Canadian fantasy li
版次1
doihttps://doi.org/10.1007/978-3-030-15685-5
isbn_softcover978-3-030-15687-9
isbn_ebook978-3-030-15685-5Series ISSN 2569-8826 Series E-ISSN 2569-8834
issn_series 2569-8826
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 23:14:10 | 只看該作者
Neuropathologie des Drogenmissbrauchsy nation-state, as well as Wilson’s transnational approach to his protagonist’s developing sense of identity within and without his “Affinity.” It contextualizes its arguments in the current US and Canadian political climates.
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The Affinity for Utopia: Erecting Walls and Building Bridges in Robert Charles Wilson’s y nation-state, as well as Wilson’s transnational approach to his protagonist’s developing sense of identity within and without his “Affinity.” It contextualizes its arguments in the current US and Canadian political climates.
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發(fā)表于 2025-3-22 11:38:39 | 只看該作者
Book 2019y, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement..
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發(fā)表于 2025-3-22 15:33:08 | 只看該作者
Multiple Sklerose und verwandte Syndromentemporary world is increasingly one in which the global rather than the national context is central to an understanding of self and place; the fantastic (especially sf, but other genres, as well) is ready-made for exploring in non-literal terms the complex and problematic nature of intercultural engagement.
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發(fā)表于 2025-3-22 18:19:31 | 只看該作者
Zytologie des Liquor cerebrospinalisence’s . (1889), Jules-Paul Tardivel’s . (1895), and Ubald Paquin’s . (1925), reveal that authors in both cultures portray future Canadas or Québecs that are increasingly independent from Britain, arguing for sovereignty while benefiting from political principles handed down by that Empire.
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https://doi.org/10.1007/978-3-642-59371-0at a time when they tended to be secondary at best; she also includes conventional “feminine” concerns such as love, maternity, and domestic work. Finally, she challenges the division between mainstream and genre literature, seeing the gap between “science fiction” and “l(fā)iterature” as artificial.
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Viral Encephalitis and Its Pathology,he glory of endangered communities threatened by engulfment in “global culture.” Similarly, in . (2014), Mandel presents a troupe of itinerant actors who roam the Great Lakes region to perform Shakespeare and music, thus acting to preserve a culture threatened with loss.
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