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Titlebook: Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation; Sarah Wootton Book 2016 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 17:57:28 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation
影響因子2023Sarah Wootton
視頻videohttp://file.papertrans.cn/193/192569/192569.mp4
發(fā)行地址Examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction
圖書封面Titlebook: Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation;  Sarah Wootton Book 2016 The Editor(s) (if applicable) and The
影響因子.Byronic Heroes in Nineteenth-Century Women‘s Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron‘s enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron‘s poetry, his ‘heroic‘ protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades..
Pindex Book 2016
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發(fā)表于 2025-3-21 22:59:49 | 只看該作者
Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation978-1-137-57934-8
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發(fā)表于 2025-3-22 01:14:45 | 只看該作者
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發(fā)表于 2025-3-22 06:03:37 | 只看該作者
The Traditional Theories Reconsidered,anti-hero — a seductive outsider who is superior in suffering, sinfulness, subversions, and perversions — as encountered by an inexperienced, yet curious, young woman.. That girlish innocence can triumph over manly experience through the redemptive power of love constitutes the staple ingredient in
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發(fā)表于 2025-3-22 08:45:02 | 只看該作者
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發(fā)表于 2025-3-22 12:57:59 | 只看該作者
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發(fā)表于 2025-3-22 23:25:13 | 只看該作者
Introduction,anti-hero — a seductive outsider who is superior in suffering, sinfulness, subversions, and perversions — as encountered by an inexperienced, yet curious, young woman.. That girlish innocence can triumph over manly experience through the redemptive power of love constitutes the staple ingredient in
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發(fā)表于 2025-3-23 03:24:07 | 只看該作者
,Elizabeth Gaskell’s Byronic Heroes: , and ,es a reassessment of the extent and significance of Byron’s influence, and the cultural reach of Byronism, in women’s writing of the Victorian period. The Byronic hero presented a unique opportunity for Eliot and Gaskell to enter current debates about masculinity and the fate of the hero. This figur
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發(fā)表于 2025-3-23 06:53:38 | 只看該作者
,George Eliot’s Byronic Heroes I: Early Works and Poetry, Ladislaw’s artistic sensibilities and Casaubon’s pitiful frailties. In her last novel, ., the title character’s delicacy of feeling and Mordecai’s spirit of self-sacrifice provide the counterpoint to Grandcourt’s hard, yet meticulously studied, masculinity. Both . and . will be discussed in detail
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