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Titlebook: British Writers and the Media, 1930–45; Keith Williams Book 1996 Keith Williams 1996 film.Medium.postmodernism.radio.technology

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發(fā)表于 2025-3-21 16:04:33 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱British Writers and the Media, 1930–45
影響因子2023Keith Williams
視頻videohttp://file.papertrans.cn/192/191202/191202.mp4
圖書封面Titlebook: British Writers and the Media, 1930–45;  Keith Williams Book 1996 Keith Williams 1996 film.Medium.postmodernism.radio.technology
影響因子Richly informative about a host of writers from Auden to Priestley, and theoretically informed, this wide-ranging new study demonstrates that the 1930s, remembered usually for uncomplicated political engagement, can rather be seen as initiating the key elements of postmodernism, developing the individual‘s sense of `elsewhere‘ through new technology of representation and propaganda. Keith Williams analyses the relationship between the leftist writers of the decade and the mass-media, showing how newspapers, radio and film were treated in their writing and how they radically reshaped its forms, assumptions and imagery.
Pindex Book 1996
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沙發(fā)
發(fā)表于 2025-3-21 21:42:10 | 只看該作者
https://doi.org/10.1007/978-3-663-07300-0nd has developed the weapons of ‘censorship, propaganda and psychological warfare’.. Keith Middlemas and others have shown how the Great War’s Ministry of Information created a direct link between central government and mass opinion through the media ‘whose consequences were ultimately as significan
板凳
發(fā)表于 2025-3-22 02:18:03 | 只看該作者
地板
發(fā)表于 2025-3-22 07:23:27 | 只看該作者
5#
發(fā)表于 2025-3-22 12:36:01 | 只看該作者
6#
發(fā)表于 2025-3-22 13:48:43 | 只看該作者
Innovation und EntrepreneurshipThe mass media were never passively reflected as subject matter in thirties Leftist writing, but always critically ‘refracted’, in ways ranging from po-faced Jeremiad, to satire and subversive parody. In this Chapter I want to examine refractions by both bourgeois and proletarian Leftists across a representative range of texts and genres.
7#
發(fā)表于 2025-3-22 20:43:56 | 只看該作者
https://doi.org/10.1007/978-3-663-04911-1Bergonzi may or may not be right that thirties writers ‘were the first literary generation in England to have to face mass civilisation directly’, but it is certainly the case that their encounter with it through the discourses and effects of mass-media power is ‘a(chǎn) major determinant of the literature of the time’.
8#
發(fā)表于 2025-3-22 21:36:53 | 只看該作者
9#
發(fā)表于 2025-3-23 02:29:25 | 只看該作者
Conclusions,Bergonzi may or may not be right that thirties writers ‘were the first literary generation in England to have to face mass civilisation directly’, but it is certainly the case that their encounter with it through the discourses and effects of mass-media power is ‘a(chǎn) major determinant of the literature of the time’.
10#
發(fā)表于 2025-3-23 09:00:20 | 只看該作者
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