Titlebook: British Women Writers and the Short Story, 1850-1930; Reclaiming Social Sp Kate Krueger Book 2014 Palgrave Macmillan, a division of Macmill

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,Baynton and Mansfield’s Unsettling Women,ing evinced her equality, authenticity, and a refreshing straightforwardness distinct from the refined yet artificial turn-of-the-century Englishwoman.. Women were repeatedly featured as crucial players in the construction of Nation and Empire, supporting their male partners by working alongside the

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Conclusion: Woolf, Rhys, and Narratives of Obscurity,mply a reenactment of patriarchal privilege. Woolf suggests that the room connotes a recognition of women’s intellectual vocation and intellectualism, a space for work. It is not necessarily masculine — or at least, the study is masculine only insofar as intellectual work is gendered as such. Of cou

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Braddon, Broughton, and Specters of Social Critique,o the vulnerability of that location. In much of mid-Victorian fiction, the image of the reputable home hinged upon the presence of a contented housewife. To disturb one was to destroy the other. This chapter highlights Mary Elizabeth Braddon and Rhoda Broughton’s ghost stories as an example of the

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