Titlebook: British Poetry, 1900-50; Aspects of Tradition Gary Day (Lecturer in English Literature),Brian Do Book 1995 Palgrave Macmillan, a division o

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無能的人

Loose Women and Lonely Lambs: The Rise and Fall of Georgian Poetry,usly drinking small-beer in a desperate attempt toprove their virility. The winds blew, thefloods came: fora moment afew of them showed on the crest of the seventh great wave; then they were rolled under and nothing marks their graue.

STANT

The Falling House that Never Falls: Rupert Brooke and Literary Taste,roadcast by BBC Radio 4 or, perhaps, the comments in the introduction to yet another anthology of the slim collected works (with a selection of letters added for good measure). Brooke’s reputation, which is at stake here, has never rested on anything other than quicksand. The ‘worth’ or quality of h

prediabetes

Lyrics of the First World War: Some Comments,ly on in its history, and that publication in anthologies was both cause and consequence of this way of perceiving it; and secondly, that the characteristic lyric forms which the trench poets utilised are a necessary aspect of their meaning.

reception

Lawrence, Imagism and Beyond,s to be underestimated, probably because of a stereotyped idea of the Imagist poem as something small, static and precious. If, however, we think not of set-pieces like ‘In the Station of the Metro’ but of what Imagism made possible, of what the major Imagists went on to do, Lawrence’s association w

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脾氣暴躁的人

,Alternative ‘Modernists’: Robert Graves and Laura Riding,y poetry have tended to classify Robert Graves as a poet of secondary importance whose main achievement is the writing of a handful of elegant love poems.. The hegemony of Eliot and Pound in critical orthodoxy is, of course, principally responsible for the academy’s downgrading of Graves’s reputatio

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