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Titlebook: British Fiction in the 1930s; The Dispiriting Deca James Gindin Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 19

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發(fā)表于 2025-3-25 05:25:48 | 只看該作者
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發(fā)表于 2025-3-25 09:51:20 | 只看該作者
Nicholas Blake’s ‘Stake in the Social System’the turn from the twenties to the thirties, one of the most influential and innovative writers of detective fiction was Anthony Berkeley, who, under his own name and the pseudonym of Anthony Berkeley Cox, published several locked room mysteries. In 1931, under another pseudonym, Francis Iles, Berkel
23#
發(fā)表于 2025-3-25 13:02:38 | 只看該作者
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發(fā)表于 2025-3-25 19:33:37 | 只看該作者
Essays, Chronicles and Fiction: Alternatives to Despairey, accurately or not, saw as a modernistic tendency to separate art from life, or artist from audience. The range and diversity of this literary representation of experience might best be seen through the language and concerns of three women influential during the 1930s: Rose Macaulay, Rebecca West
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發(fā)表于 2025-3-25 21:01:36 | 只看該作者
26#
發(fā)表于 2025-3-26 02:48:56 | 只看該作者
https://doi.org/10.1007/978-1-349-22171-4climate; culture; Edward Gibbon; fiction; individual; landscape; landscapes; metaphor; present; visualization
27#
發(fā)表于 2025-3-26 05:55:46 | 只看該作者
Palgrave Macmillan, a division of Macmillan Publishers Limited 1992
28#
發(fā)表于 2025-3-26 11:00:29 | 只看該作者
The Problem of Emancipation (1934)se of immediacy. In part an inheritance from an earlier literary modernism that wanted to deny, question or reconstruct its connections with the past, and in part a response to an external world that seemed to be breaking down, literature for most audiences conveyed an obligation to deal with the im
29#
發(fā)表于 2025-3-26 12:48:46 | 只看該作者
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發(fā)表于 2025-3-26 16:59:21 | 只看該作者
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