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Titlebook: Boys, Bass and Bother; Popular Dance and Id Jo Hall Book 20181st edition The Editor(s) (if applicable) and The Author(s) 2018 culture.ident

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發(fā)表于 2025-3-21 18:04:46 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Boys, Bass and Bother
期刊簡(jiǎn)稱(chēng)Popular Dance and Id
影響因子2023Jo Hall
視頻videohttp://file.papertrans.cn/191/190107/190107.mp4
發(fā)行地址Explores dancing as a mode of identity performance in the British drum ‘n‘ bass club culture.Shows that the dancing body blends prior meaning with new significance.Challenges the various labels and di
圖書(shū)封面Titlebook: Boys, Bass and Bother; Popular Dance and Id Jo Hall Book 20181st edition The Editor(s) (if applicable) and The Author(s) 2018 culture.ident
影響因子This book uses ethnographic research to examine the role of dance in the construction of identity in the distinctly British electronic dance music club culture of drum ’n’ bass. Dancing is revealed as the central way in which drum ’n’ bass clubbers construct and perform their identities, which are informed, although not defined, by the club culture’s histories. The intertextual and intercultural development of drum ’n’ bass musical and clubbing culture is shown to be represented in the dancing body, prompting a challenge to the discourse of cultural appropriation. Popular representations of identities are embodied by drum ’n’ bass clubbers through affective transmission via the popular screen, and in this process are re-valued in their embodiment. Using a socially orientated understanding of intertextuality, the popular dancing body is shown to be heterocorporeal: containing traces of prior meaning and logic yet replete with new meaning and significance.?
Pindex Book 20181st edition
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發(fā)表于 2025-3-21 23:56:47 | 只看該作者
Clinical Manifestations of Filariasishlighting the significant influence of poststructuralism and intertextuality. I discuss the development of these theories in relation to postmodernism, and concerns over globalisation and increased mediation. I also examine the development of new materialism and affect theory, which grew out of conc
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發(fā)表于 2025-3-22 00:23:44 | 只看該作者
Acute Filarial Lymphangitis (AFL) lower- and working class-ness are portrayed through an increasingly globalized popular media. I discuss how mediatized images of identity can be seen to be so persuasive in their claims of representation that they act as a main point of reference for the development of knowledge about (sub)cultural
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發(fā)表于 2025-3-22 05:17:34 | 只看該作者
Pathology of Lymphatic Filariasis data in Chaps. . and .. This exploration locates the musical and clubbing culture at an intersection of musical and cultural influences that can be characterised using Gilroy’s (. [1993]) concept of the Black Atlantic; drum ‘n’ bass is not specifically African, American, Caribbean, or British, but
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發(fā)表于 2025-3-22 20:16:19 | 只看該作者
G. Paganelli,C. De Cicco,M. Chinolnce that is relevant for the contemporary cultural context. I use Bakhtin’s (. [Austin: University of Texas, 1981]) related concepts of double-voiced discourse and heteroglossia to suggest a move away from restrictive notions of cultural ownership through a productive understanding of difference. Th
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發(fā)表于 2025-3-22 23:24:17 | 只看該作者
https://doi.org/10.1057/978-1-137-37511-7culture; identity; performance; drum‘n‘bass; clubbing culture; popular dance; electronic music; affective t
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發(fā)表于 2025-3-23 02:50:35 | 只看該作者
The Editor(s) (if applicable) and The Author(s) 2018
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發(fā)表于 2025-3-23 06:12:23 | 只看該作者
Jo HallExplores dancing as a mode of identity performance in the British drum ‘n‘ bass club culture.Shows that the dancing body blends prior meaning with new significance.Challenges the various labels and di
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