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Titlebook: Biography and History in Film; Thomas S. Freeman,David L. Smith Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Cinema.Popu

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發(fā)表于 2025-3-21 17:59:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Biography and History in Film
影響因子2023Thomas S. Freeman,David L. Smith
視頻videohttp://file.papertrans.cn/188/187130/187130.mp4
發(fā)行地址Examines the relationship of biographical films from the 1920s to the 2010s to historical knowledge.Demonstrates how films reflect changing understandings of historical figures and events.Considers ho
學(xué)科分類Palgrave Studies in the History of the Media
圖書封面Titlebook: Biography and History in Film;  Thomas S. Freeman,David L. Smith Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Cinema.Popu
影響因子.The essays in this volume seek to analyze biographical films as representations of historical individuals and the times in which they lived. To do this, contributors examine the context in which certain biographical films were made, including the state of knowledge about their subjects at that moment, and what these films reveal about the values and purposes of those who created them. This is an original approach to biographical (as opposed to historical) films and one that has so far played little part in the growing literature on historical films. The films discussed here date from the 1920s to the 2010s, and deal with males and females in periods ranging from the Middle Ages to the end of the twentieth century. In the process, the book discusses how biographical films reflect changing attitudes towards issues such as race, gender and sexuality, and examines the influence of these films on popular perceptions of the past. The introduction analyses the nature of biographical filmsas a genre: it compares and contrasts the nature of biography on film with written biographies, and considers their relationship with the discipline of history.?As the first collection of essays on this
Pindex Book 2019
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,Blood, Lust, and the Virgin Queen: Helen Mirren’s ,he excessive focus on the queen’s largely imaginary romances with the Earls of Leicester and Essex. Yet for these very reasons, the film can be a valuable teaching tool when considered in conjunction with current scholarship.
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Power and Its Loss in ,n against the chauvinist establishment’. The film squeezes Thatcher’s public life into a simple narrative arc (adversity, triumph, hubris, and downfall); it therefore gives an extremely oversimplified view of Thatcher’s politics. The film is ultimately more compelling as an exploration of the price of power, rather than as a political biography.
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National Assimilation or Differentiationby caricatural clergy and judges. Inspired by Dreyer, Bresson moulded her more in the image of a sensible young woman who withstood her interrogation with calm steadfastness. The filmmakers’ views are in turn contrasted with those of recent scholars, who stress Joan’s self-confidence, intelligence and bravery, on the battlefield and in court.
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