Titlebook: Beyond the Postcolonial; World Englishes Lite E. Dawson Varughese Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Sophia P. Dimelis,Sotiris K. Papaioannouy the East African Publishing House in the mid-1960s, further supported this structure, as they were also regional entities representing East African authors to the rest of the world. The West would read ‘East African’ authors as opposed to Kenyan, Ugandan or Tanzanian authors, as this is how they w

commensurate

Introduction: Being Beyond,er in order to critique and better understand the issues, the power relations, the perspectives and the positions of 21st-century existence (Hardt and Negri, 2000; Lazarus, 2006). As Desai explains, ‘9/11 and the reimagining of the world as us versus them led to the resurgence of rhetoric and action

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Uganda: The Power of the Pen,tributed to the wider region of East Africa. The student journal . was an instrument in the celebration of Ugandan writing and it was superseded in 1971 by ., which ‘helped to reflect Makerere’s much more Ugandan student population by that date’ (Elder, 1993, p. 52).

GROVE

Kenya: Rifts Apart,y the East African Publishing House in the mid-1960s, further supported this structure, as they were also regional entities representing East African authors to the rest of the world. The West would read ‘East African’ authors as opposed to Kenyan, Ugandan or Tanzanian authors, as this is how they w

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Woke Gal Gone Bad: Populism and Gender Trouble in , (2021)rk. Horror conventions are particularly effective to unfold the issues embedded in this analysis. The essay focuses on the horror film . (Mike P. Nelson 2021) and argues that the liberal position the film thematizes offers in turn a counter-liberal stance on matters of gender. Indeed, by relocating