Titlebook: Ben Jonson; A Literary Life W. David Kay Book 1995 W. David Kay 1995 biography.Classicism.English.humour.independence.knowledge.patrons.pla

Prostatism

喃喃訴苦

Evolve

Fathers,wer behind his ambitious literary career was the desire to regain the social position which he believed to be his birthright. His narrative to Drummond indicates that this goal was not achieved without extraordinary struggle — struggle in which two surrogate father-figures played conflicting roles.

Evacuate

Matters of State,gny, freed him for the intensive classical study required for . and for his ‘observations upon Horace his Art ., which (with the text translated)’ he had almost completed by the time the Quarto of . was printed in August 1605..

tolerance

,The King’s Poet,) — illustrates how a court audience that valued novelty and spectacle resisted his sententious humanism. Plays and poetry allowed him freer scope, but even his comedies were more and more designed for the King’s ear.

死亡率

Book 1995many literary rivalries. Stressing his wit and inventiveness, it explores the strategies by which he attempted to maintain his independence from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appropriated t

極為憤怒

Fathers,kground and childhood circumstances are obscured by the gaps in surviving records. He told William Drummond that.His father’s Christian name is not recorded, and scholars have been unable to single him out from among the myriad Johnsons who lived in Tudor England or to trace his earlier ancestry. To

不理會(huì)

The Actor-Playwright,red with a love of literature, but how or when he decided to become a dramatic poet is difficult to determine. Unlike Shakespeare, whose ‘lost years’ are completely undocumented, many of Jonson’s activities in his later youth and early manhood are known, but the surviving records are incomplete. How

stress-test

NAUT