Titlebook: Behind the Screen; Inside European Prod Petr Szczepanik,Patrick Vonderau Book 2013 Petr Szczepanik and Patrick Vonderau 2013 Europe.film.fi

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Stress Aesthetics and Deprivation Payroll Systemsuser-generated content has been “to acquire content for little or nothing and to get everyone to work for free.”. Consider how this mantra resonates with the following recent disclosure by an Indian worker, who describes current working conditions for VFX “artists” in South Asia:

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Pacts of Embodiment: A Comparative Ethnography of Filmmakers’ Gestures, explained several times, corrected, and modified. And most of the time, this is achieved by means of relays (assistants, stand-ins) who rarely appear in the finished film. These moments of rehearsal and demonstration are always very intense but relatively difficult to describe in a simple notebook

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The State-socialist Mode of Production and the Political History of Production Culturenternationally competitive strategies. At the same time, Czech films and Polish films have attracted sizable audiences in their respective domestic markets, and production facilities located in the Czech Republic and Hungary have become important destinations for the runaway productions of American,

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Subjects at Work: Investigating the Creative Labor of British Screenwritersossibilities for screenwriting work in London. The chapter will then drill down into the daily working lives of a group of London-based screenwriters. Micro-level subjective experiences of this group of writers will be analyzed using the anchoring term disinvestment, which, I argue, signals a set of

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Policy or Practice? Deconstructing the Creative Industries and performing arts. In this chapter, I consider how creative industries policies might be positioned within studies of production cultures and influenced by policy subventions such as tax credits and urban planning. In my analysis, I want to suggest that policy discourses do not simply attempt to