Titlebook: Beckett‘s Intuitive Spectator; Me to Play Michelle Chiang Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 drama studies.audi

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Springer Series on Touch and Haptic Systemstelevision viewer’s expectation to be entertained and/or informed as she turned on the television at home might have been subverted by the minimal mise-en-scène and lack of a clear plot in the television plays ., ., . and … .…. The result is an uncomfortable uncertainty that may be translated into a

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Introduction,bit and intuition, this monograph is divided into four sections. Section . Habit clarifies the concept of Habit in Beckett’s writings. Section . Intuition defines Intuition as we consider its opposition to the concept of Habit established in the first section. Section . Disjunction explains how a se

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,The Intuition of Loss in Beckett’s Radio Plays,e various narrative systems that frame our understanding of reality. Divided into three parts, the first explains how the radio play listener is really a spectator observing the sounds and images that play out in her mind. The second section demonstrates how the spectator intuits as ‘a(chǎn) loss of meani

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,Time Out from the World: Respite in Beckett’s Stage Plays,porarily escape an incarcerating external time continuum. As such, time is delineated by Beckett as dual in the stage plays, a seemingly manipulatable intuitive time and an interminable external ‘clock’ time. In this chapter, we look at how in the midst of attempting to make use of their intuition t

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