Titlebook: Bad History and the Logics of Blockbuster Cinema; Titanic, Gangs of Ne Patrick McGee Book 2012 Palgrave Macmillan, a division of Nature Ame

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Terrible Beauties,of the electronic journal ., in a slightly abridged version. That was before 9/11 and other events and films that it may strangely seem to anticipate at times. Though I have revised the essay, taking into account material that has appeared since the first writing, I have not altered the overall inte

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Infinite History,domestic market. Furthermore, it is clearly one of Martin Scorsese’s more personal films, which he had originally conceived of back in the 1970s (. 20). One can imagine that if he had made . during the decade of . (1973), . (1976), . (1977), and . (1980), it would have been in a completely different

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,Conclusion: The Glorious Truth about Inglorious History in Quentin Tarantino’s ,t word. It doesn’t merely misrepresent or distort history. It produces a blatant historical fantasy, but one that in some ways articulates a historical truth too often missed by more traditional and even truthful—in the narrow sense of the word— World War II combat, espionage and spy thriller, resis

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ally miss and argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds .978-1-349-29714-6978-1-137-01253-1

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